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3D global journal is the world's biggest-selling per 30 days name for the 3D artist protecting all points of the CG production, inclduing animation, visible results, vidoegames and architectural visualisation, and comprises specialist education in apps reminiscent of 3ds max, Maya, Cinema 4D, ZBrush, LightWave, Vue, Photoshop and After results. each factor the journal gains an artist show off, making of beneficial properties and reports of latest items.

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Per is clear that adapting to 3D has been pivotal to his workflow and role as a concept artist, and urges anyone wanting to join the industry to focus on the learning: “I would say finding your place so you can focus on a skill which you can excel at and become a valuable asset to a studio,” says Per as he adds: “I do also think it is important for you to want to become part of something bigger, be a team player and contribute whatever you can to achieve this goal. com ARTIST INSIGHT Pose your heroes Per Haagensen says you need to focus on the technical aspects of poses “Whilst I don’t necessarily think there is the ‘perfect’ superhero pose, there is one thing I often see forgotten, which is making sure you take advantage of camera distance and angle of view.

Once you’ve finished sculpting, add lights and textures to your scene. You can use the preset Car Paint material within C4D (it’s a great starting point for your liquid metal texture), or you can create one from scratch. Add some noise into the Reflectance channel to add some discrepancy to your highlights. Try a few interesting HDR images and several sources of lights to really help show movement across the liquid, and show the thickness of the melted metal. STEP-BY-STEP CREATING LIQUID METAL ONE FIND REFERENCE IMAGERY The first thing to do is an internet search to find reference images for liquid metal – try searching for mercury metal, paint splashes and spilled liquid.

Com The complexity of the Aviator’s environment called for complex 2D illustrations MARK OSBORNE Mark is a two-time Academy Award nominated director. His credits include Kung Fu Panda, The SpongeBob SquarePants Movie and The Little Prince. ly/208-osborne nce you’ve made one of the most-loved CG animated movies in recent years, what do you do next? For filmmaker Mark Osborne, you tackle one of the most wellloved children’s books of all time, The Little Prince by Antoine de Saint-Exupéry… and you do it by mixing CG and stop motion.

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